- Top 3 Overall
- Most Audience #1 Picks 21 voters' #1 pick
- Perfect 10 — Vocals from Ben Tarkus
- Perfect 10 — Production from Ben Tarkus
- Perfect 10 — Challenge from Ben Tarkus · Klopfenpop · Mark Cooper · Richie Branson
- Vocal Standout 8.6 / 10 avg across judges
- Production Powerhouse 8.6 / 10 avg across judges
- Challenge Champion 9.6 / 10 avg across judges
- Perfect Card 30/30 from Ben Tarkus
- Wide Appeal no judge ranked you in their bottom third
- Crowd Surfer on 50/72 ballots (69%)
- Local Hero top 3 in VPC-site hearts with 21 likes
- Full Package audio + art + lyrics + both writeups
- Storyteller 2,710 characters across both writeups
TOTAL REACH — 133 plays rank 5 / 22
- SOUNDCLOUD 81
- VPC SITE 47
- YOUTUBE 5
TOTAL LIKES — 25 rank 2 / 22
- VPC SITE 21
- SOUNDCLOUD 4
- YOUTUBE 0
Underground Paradise
Vocalist's challenge writeup
There are a *lot* of references to the video game series and tv show Fallout in this song! The opening line - "Truth is, the game was rigged from the start" is said by Benny (voiced by Matthew Perry) in Fallout: New Vegas. This sets the tone for the rest of the song and the series itself: capitalism is the snake that is eating its own tail, and the people with the most power and money are going to do everything they can to control it all, no matter the cost. The second line, "We put our dollars in their pockets, and their people in charge" is a reference to a line from Mr. House in Season 2 of the Fallout TV show. A blue collar worker argues that they "didn't vote for this maggot," to which Mr. House responds, "Every dollar spent is a vote cast. And that fellow right there, he has more votes than every one of those pan-headed politicians in Washington." Verse two references three specific canonical vaults: Vaults 77, 108, and 24 respectively. Vault 77 involved one man, left alone in a fallout shelter, with tons of supplies and a crate full of puppets. Vault 108 involved a lack of leadership and a cloning device, which led to a bizarre overthrow of the vault by 54 clones named "Gary." Vault 24 is seen in the Fallout television series, where mind-control chips were tested to extremely bloody ends. When life gives you sass, gotta make some sarsaparilla! Sunset Sarsaparilla was a pre-war beverage in the game. Jones Cola made it a reality this past year. It's pretty good! The end of verse 2 features one of Mr. House's most famous lines from Fallout: New Vegas - "We don't have to dream that we're important. We are." Finally, we end on a bit of a goof with Juvenile's "Slow Motion." V.A.T.S. is the Vault-Tec Assisted Targeting System, which flips into slow motion! "Caps" refers to bottlecaps, which are the primary currency in the Fallout world.
Producer's challenge writeup
This challenge was a really fun one! I am really into sampling the works of others in the tracks that I make. Feelings by Cheyenne had some of my favorite bits, so I decided to use it as the main influence for the song. I had to choose Beans and Chocolate, as well as Hot Chocolate because we are the Crab Rangoons and I enjoyed the food references in the title. Samples used: Feelings/Cheyenne - Dollar Bin - Used throughout the entire song Beans and Chocolate/Louis Jordan - Free Bin - Verse 1 Bass Line (0:40) Hot Chocolate/Shonen Knife - International - Verse 2 Bass Line (1:52) Bleep Bloop/Klopfenpop - Tools and Instructional - Used a couple of different samples throughout the song (Coin sound on the chorus, etc.) 89 BPM/Dave Biegel - Tools and Instructional - Used a drum fill from this track for the intro bit (0:19)
Lyrics
Line up and suffer! We can make the filth believe Consumer culture, creature comforts, troubles eased Take a trip Take a ride Underground paradise You can have what you like Sell your soul - live your life Truth is - the game was rigged from the start We put our dollars in their pockets and their people in charge They said the bombs would get to dropping, and the planet would char And anything upon the surface it would begone for eons Their peons sold you on the premise of American Dreams You picked a vault number and they gave you the keys To an underground paradise, a luxury accommodation Where you and yours could wait out nuclear annihilation Patiently you waited for your chance in the dirt Safe and secure, your money got your future insured Was it privilege or planning when disaster occurred That got you into the earth? What's your bloodline worth? And so you went to live it up, down below, surface abdicated And then you found the true mission it was masqueraded It isn't what you planned, and not what it seemed But this is progress, baby, now you're living the dream Line up and suffer! We can make the filth believe Consumer culture, creature comforts, troubles eased Take a trip Take a ride Underground paradise You can have what you like Sell your soul - live your life You know I heard about a fella in the double 7, all to himself Just a guy doin' puppet stuff with nobody else even solitary humans feel the need to converse You know that Hell is other people - isolation is worse And did you hear about the one down in hundred and eight? They put a dead man in charge, and then knowing his fate they cloned a single guy named gary over fifty-three times now the vault is full of Garies - nobody else survived and oh, poor 24, the comrades were doomed everybody got a SPECIAL chip that made ya brain go boom it's for the best they didn't live to grow old cuz life has little purpose when you're being controlled But take a lesson from your favorite Zilla When life gives you sass You gotta make some sarsaparilla So your great-great-kids may someday walk under the stars Never dreaming they're important They'll know that they are Line up and suffer! We can make the filth believe Consumer culture, creature comforts, troubles eased Take a trip Take a ride Underground paradise You can have what you like Sell your soul - live your life And while you wait below The rads will dissipate But there's one simple truth YOU WERE NOT MEANT TO BE SAVED Yeah I like it like that We workin' that V.A.T.S. We're stackin them caps Slow motion for me Slow motion for me Slow motion for me Slow motion for me Yeah I like it like that We workin' that V.A.T.S. We're stackin them caps Slow motion for me Slow motion for me Slow motion for me Slow motion for me
JUDGES' BREAKDOWN
Richie Branson
9.33/10 score rank #4 of 22VOCALS 9PRODUCTION 9CHALLENGE 10Hook caught my ear, well done. Could benefit a small melodic differentiation in the last “live your life” vs. the last 3 notes in the other lines. Vocals delivered confidently, and the flow is tight. The beat is pretty nuts. Love the variety that keeps things different.
Klopfenpop
9.00/10 score rank #10 of 22VOCALS 8PRODUCTION 9CHALLENGE 10This track is fantastic. The sample work is really compelling and super clean. I love that you combined the bassline from one track with the horns and other elements from another track, with chiptune samples sprinkled in throughout. Everything element feels great on its own and blend with the others really seamlessly. The references run deep through this one, both in universe and out. I really appreciate the layers...like a vault bunker.
LEX the Lexicon Artist
7.00/10 score rank #10 of 22VOCALS 7PRODUCTION 6CHALLENGE 8You achieved the challenge - referenced an existing franchise/canon and incorporated samples. I'm taking points off because the *point of view* of the song isn't clear. Yes there are lots of fallout references, but who is talking and what do they believe? Are they someone who advertises the vaults? Someone who's lived in them? Someone who's only heard stories? Is it just a metaphor for capitalism and if so are these vaults literal occurrences or just metaphors? Zilla - I really like the unique rapping voice you put on as the "narrator". You show off your acting range here. The chorus is well-sung as usual, but it's too long and not catchy like your last one. (Too many measures of all different words, and not enough repetition of words or melodic motifs.) My note for writing is per the above. Rikkari - I found the production to be clean and polished, but underwhelming compared to "Sokoban Sadness". Can't quit explain but it feels less complete arrangement-wise. Maybe the constraint of samples limited the flexibility of your compsotion? I don't find any musical motifs that I can latch onto until 3:08 which is the section I think should've been the chorus.
Ben Tarkus
10.00/10 score rank #1 of 22VOCALS 10PRODUCTION 10CHALLENGE 10I wish I could say no words, because this one left me speechless. It's a perfect 10 for me. Fallout vibes, my man Gary, stacking them caps, and the Slow Motion nod? Wow. I said it last round but Enter Rikkaari is HITTING with these beats so far, The pipe sounds to give a further nod to the underground themes and of course the coin sounds are going to pair well here. I think they got a perfect 10 from another judge last round, and this one met all the marks in Round 2. Stellar contribution, team!
Mark Cooper
9.33/10 score rank #2 of 22VOCALS 9PRODUCTION 9CHALLENGE 10Such a jazzy record. great vocals and delivery throughout the whole track. great use of sounds in the production. great contrast between traditional jazz sax and trap drums especially with transitions. Vocalist is definitely in their element in this song. also, the sample flip at the end was a nice touch.
Audience score and rank
AUDIENCE SCORE
Aggregated from 72 ballots cast by the public.
AUDIENCE RANK
Out of 22 teams competing this round.
- 50 voters ranked them in their top 10
- 29 voters had them in their top 5
- 21 voters picked them as their #1 favorite
FINAL BLEND
The final score was a 8.26. The song received an average voter score of 6.23 from the community, and an average judge score of 8.93.
The display score blends the audience and judges' contributions at 25%/75%. Here's how Crab Rangoons's 8.26 broke down:
(6.23 × 25%) + (8.93 × 75%) = 8.26
YOUR SEASON SO FAR
- Round 1 7.95 / 10 rank #1
- Round 2 8.26 / 10 rank #2 PERSONAL BEST