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ROUND 4 · FEEDBACK

Obvious Corruption

...Five years and the corruption has only gotten more obvious.

RANK #6
DISPLAY SCORE 8.13 / 10
  • 💯 Perfect 10 — Vocals from Klopfenpop
  • 💯 Perfect 10 — Production from Klopfenpop · LEX the Lexicon Artist
  • 💯 Perfect 10 — Challenge from Klopfenpop · LEX the Lexicon Artist · Mark Cooper · Richie Branson
  • 🎛️ Production Powerhouse 8.8 / 10 avg across judges
  • 🎼 Challenge Champion 9.6 / 10 avg across judges
  • 🃏 Perfect Card 30/30 from Klopfenpop
  • 🛡️ Wide Appeal no judge ranked you in their bottom third
  • 😴 Sleeper Hit on 51 of 82 ballots — broadly liked, few #1 picks
  • 📦 Full Package audio + art + lyrics + both writeups
  • 📝 Storyteller 1,599 characters across both writeups

TOTAL REACH — 29 plays · rank 12 / 21

  • VPC SITE 29

TOTAL LIKES — 6 · rank 13 / 21

  • VPC SITE 6

The Inbetween

Open audio
Vocalist's challenge writeup

- The write-up Welcome to The Inbetween: The liminal club. It's empty. You don't know how you got here or why. Double Entendre: We're in the middle of the Inbetween like the W in "between" References: "Rooms in the back if you know what I mean" alluding to popular liminal horror property "The Backrooms" "Wherever we are now Slow floating under the stars now It’s okay to be uncertain, Cause I'm certain that it's fine" Lyrics from "Wherever We are Now" from the cassette beasts soundtrack (song fits the liminal theme) "Gaze into your shadows eyes and say thou art I" An smt Persona reference, which itself is a reference to Carl Jung shadow work stuff, which relates to liminality. "Cross roads untraveled" Hekate's crossroads is a liminal space "The storm, cold inside the warm" I'm here to tell you Dio's "Last in Line" is liminal in its theme.

Producer's challenge writeup

There are three drops in the song (1) before the second drop there’s a dramatic pause (2) the third buildup is a fake out (3) into a section that is lower energy before the last drop (4). The bass switches between the drop and the rest of the song (5). (Also there’s a big chant in the drop, but that was more a vocalist choice so I’m only half counting it (and there are a number of others decision I made but there's a lot of overlap in the example ideas so I only listed 5)) Pockets; verse is in half time, pre chorus is just a snare roll, drop is in full time with hats that move into triplets, bridge part 1 is full time which a four on the floor kick, but juxtaposes a 3:2 polyrhythm using the bass. Low energy cuts to just the hats.

Lyrics
Don't know what the noise or the signal is now
we'll maybe take a minute just to figure it out 
There's no rocks to be kicking around cause
That really ain't what this place about no

Don't look scared, just consider it fine
We only here for a limited time I'm
not here and neither are you 
We're passing through
Noones around

Welcome to The Inbetween
Got room in the back if you know what I mean
Wherever we are now
Slow floating under the stars now
It’s okay to be uncertain,
Cause I'm certain that it's fine
To be out here lost in time
It's uncertain by design
Hold fast forward pause rewind


Let it slow down let it flow out of your conscious mind
Gaze into shadow's eye and say thou art I
The stage no one on it, the floor got no one in it
We're moving to the next stage of our lives




Grab your cups and we'll fill em up with NOTHING
The backroom is fully stocked with NOTHING
I don't remember where I put my NOTHING
We've still got NOTHING
This is not NOTHING



It's calm before the storm the cold inside the warm
It's that Formless aimless forced reflection
Find your needs and then collect them
Toss aside the things that hold you back and relax
Into the still tide where you reside now. It's facts
That you've  been run ragged
Who you were is being unraveled
Best you get prepared 
Don't just sit and stare
Pack it up and
cross roads untraveled.
You feel like you've been pulled apart.
You won't have answers to the questions right when you press start no


It's not about the journey or the destination now
We can move forward and I'll show you how
It's no arrival, it's no departure
we're between it, we're in transit so
Crank the silence loud

Chorus

We're in the middle of the inbetween like the W in between
We're the flash you on your tv screen
There no dust cause the slates so clean

JUDGES' BREAKDOWN

  1. LEX the Lexicon Artist

    9.67/10 score · rank #4 of 21
    VOCALS 9
    PRODUCTION 10
    CHALLENGE 10

    Backrooms club anthem. Such a high concept was executed on an equally high level. Well done incorporating all the liminal references. Love the chopped up celeste-esque bell synth, almost makes it sound like dial up internet, punctuating the old school 90’s backrooms theme. 2:05 We're in the middle of the inbetween like the W in between <— I am in love with this breakdown moment, this bar and the beat behind it! I like the arrangement and the tasteful transitions between quiet, existential, minimalist moments and high explosive energy.

  2. Richie Branson

    9.33/10 score · rank #7 of 21
    VOCALS 9
    PRODUCTION 9
    CHALLENGE 10

    Nothing! Hook is catchy, love the call and response here. Vocal performance is great, loving the flow and the energy. The beat is dope too, stays entertaining throughout. Vocals could use a bit of de-essing at certain points.

  3. Klopfenpop

    10.00/10 score · rank #1 of 21
    VOCALS 10
    PRODUCTION 10
    CHALLENGE 10

    Ooh, okay this is a cool approach. I haven't noticed anyone start so small yet. I REALLY enjoy to oscillation back and forth between trip-hop and UK garage/jump-up (am I getting that right?). The techno break is also very fun. I appreciate how many clear visions y'all had and executed. The jump between them always feel like an "oh shit!" moment and not "the fuck just happened?" which is a fine line to walk when you swing this far from one section to the next. Very liminal of you. Love this. Such a meta concept, this is so well done. And I thought Club+ was meta...

  4. Ben Tarkus

    8.00/10 score · rank #10 of 21
    VOCALS 8
    PRODUCTION 8
    CHALLENGE 8

    Liminal Space club is terrifying, why would you do this to the world? This is basically Purgatory the song, so thanks for unleashing that on R4. I had a hard time placing the opening 12 seconds, it seemed an unnecessary transition and didn't match the vibe of the rest of the song. Still, it's an overall strong contender this round!

  5. Mark Cooper

    8.00/10 score · rank #11 of 21
    VOCALS 7
    PRODUCTION 7
    CHALLENGE 10

    This was dope! i dig the distortion on the vocals! the only comments i have really on the production is i wish there were some transition fills to lead to each portion instead of just empty space in the beginning. I did like the final "did you figure it out" transition. rap vocals were solid, could use a little more love in volume. Got the challenge nailed so great work!

Audience score and rank

AUDIENCE SCORE

5.51 / 10

Aggregated from 82 ballots cast by the public.

AUDIENCE RANK

8 / 21

Out of 21 teams competing this round.

  • 51 voters ranked them in their top 10
  • 20 voters had them in their top 5
  • 1 voter picked them as their #1 favorite

FINAL BLEND

The final score was a 8.13. The song received an average voter score of 5.51 from the community, and an average judge score of 9.00.

The display score blends the audience and judges' contributions at 25%/75%. Here's how Obvious Corruption's 8.13 broke down:

1.38 from audience
6.75 from judges

(5.51 × 25%) + (9.00 × 75%) = 8.13

YOUR SEASON SO FAR

  1. Round 1 · 6.90 / 10 · rank #10
  2. Round 2 · 7.69 / 10 · rank #9
  3. Round 3 · 7.86 / 10 · rank #7
  4. Round 4 · 8.13 / 10 · rank #6
  5. Round 5 · 8.45 / 10 · rank #6 PERSONAL BEST
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